The COE and Leonidas Kavakos 29 May - 3 June 2018
On 1 and 2 June, the Chamber Orchestra of Europe returns to the Cité de la Musique in Paris and the Concertgebouw in Amsterdam for two concerts with Leonidas Kavakos. He will perform Bach’s Violin Concerto in D minor (BWV 1052) and conduct the Orchestra in Schubert’s Symphony No. 5 and Beethoven’s epic ‘Eroica’ Symphony No. 3.
In recent years, top-class violinist and conductor Leonidas Kavakos has explored his twofold vocation with the COE both as a soloist and by leading various play-direct concerts in Dijon, Oviedo, Lisbon, Lucerne and most recently in Seoul. He first appeared with the COE as a soloist under the baton of Ingo Metzmacher in Stravinsky’s Concerto in D major in 2002, the same year in which he made his debut at the Concertgebouw in Amsterdam. This time round, it was Leonidas who invited the COE to perform in the ‘carte blanche’ season as part of his current artist residency at the Concertgebouw.
Leonidas Kavakos said the following about working with the COE:
Leonidas will conduct the COE in Schubert’s Symphony No. 5, which was last performed by the Orchestra at the Cité de la Musique in 2016 under the baton of Vladimir Jurowski and with Ivan Fischer at the Concertgebouw in 2010. Beethoven is at the core of the Orchestra’s repertoire, recalling memories of the award-winning box set of the complete Beethoven Symphonies recorded with Harnoncourt in 1991. The first COE performance of the ‘Eroica’ Symphony goes back to 1989 with John Eliot Gardiner at the Teatro Communale in Ferrara and the epic work has been performed numerous times ever since under Haitink, Blomstedt, Hengelbrock, Nezet-Seguin and now Kavakos.
The COE is delighted to continue the close collaboration with the Greek violin virtuoso and conductor in Paris and Amsterdam. Following the Orchestra’s debut concert tour to Seoul in March, COE members have said the following about Leonidas Kavakos:
“Leonidas is offering a quite unique skill set to the COE with his tremendous knowledge and respect for what is written in the score. He cares so much about the music and makes us listen to what he reads and sees in the score. Highlighting for instance seven particular notes in the viola part, he turns them into a narrative and lets us tell the story. As an outstanding violinist he also knows how to make use of the body and approach your instrument as an extension of yourself, connecting body, soul, and intelligence.”
Claudia Hofert (viola)
“It has been the most inspiring and liberating experience to work so closely with one of the best string players in the world today. Making music together with Leonidas Kavakos makes me feel like we’re one big chamber group.”
Henrik Brendstrup (cello)